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STSM

Short Term Scientific Missions

STSM 2025

Call for applications STSM 2025 - CLOSED

We are delighted to announce a new call for applications for Short Term Scientific Missions (STSMs) in the framework of the COST Action A new ecosystem of early music studies (EarlyMuse). With the 2025 STSM program, EarlyMuse promotes collective missions that connect at least three researchers from different countries with a host in a fourth country. We are delighted to announce that applications are now open for 30 places in seven projects, hosted by institutions across Europe. The application deadline is 10 January 2025. Applicants will be notified by e-mail of the Grant Awarding Committee’s decision by 24 January 2024. Missions must be completed before 31 July 2025.

STSM 2024

Harun KORKMAZ (Istanbul University)

Ottoman Fasil and Opportunities of Historical Performances in Turkish Classical Music - REMA Network

Stockholm

Vassilis VAVOULIS (Athenaeum Conservatory)

The European Cloud for Heritage project began in 2023

Université libre Of Brussels

Olivier LARTILLOT (University of Oslo)

Integrating layers of music analysis annotations, music performance annotations and audio within digital music edition projects

Institución Milá y Fontanals de Investigación en Humanidades, Barcelona

Ivana JELACA (The Rest is Music, Dubrovnik)

Reimagining Digital Platforms for Early Music

ESMAE-IPP of Porto

Mark SACCOMANO (Universitaet Paderborn)

Developing a new tool for Digital Musicological Research Combining Music Encoding, Linked Data, and Interoperable Technologies

Institución Milá y Fontanals de Investigación en Humanidades, Barcelona

Grzegorz JOACHIMIAK (University of Wrocław)

Music from handwritten lute tablatures in the RISM database

RISM Digital, Bern​​​

Lyra KASTRATI (Prishtina, Kosovo​)

State of the field of musicological education

Royal Birmingham Conservatoire

Kristin HOEFENER (Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​)

"From scribe to stage"

Institute of Musicology, Research Centre of the Slovenian Academy of Sciences and Arts of Ljubljana

Luís NEIVA (Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon)

"From scribe to stage"

Institute of Musicology, Research Centre of the Slovenian Academy of Sciences and Arts of Ljubljana

Patricia RODRIGUEZ RIVERO (Real Conservatorio Superior de Música of Madrid)

"From scribe to stage"

Institute of Musicology, Research Centre of the Slovenian Academy of Sciences and Arts of Ljubljana

David SMITH (Northumbria University)

Creation Of eaRly muSIc CorporA (CORSICA)

Utrecht University

Juan José PEREZ GUAL (University of Granada)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels​

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​

Pablo LOPEZ ROCAMORA (University of Murcia)

Developing a Web Application for Interactive Critical Editions of Renaissance Vocal Music

The Fryderyk Chopin Institute of Warsaw

Chiara MAZZOLETTI (Universitat Autònoma of Barcelona)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels​

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​

Laurent PUGIN (RISM Digital Center of Bern)

Preparing for Contributions to the European Collaborative Cloud for Cultural Heritage

Université Libre of Brussels​

Erik BERGWALL (Uppsala University)

CORSICA (Creation Of eaRly muSIc CorporA)

Utrecht University

Esperanza RODRIGUEZ GARCIA (Universidad Complutense of Madrid)​

CORSICA (Creation Of eaRly muSIc CorporA)

Utrecht University

Guillaume AVOCAT (Centre d’études supérieures de la Renaissance, Tours)​

Analysis of musicological education across Europe in institutions of higher education other than universities (conservatoires, academies of music, etc)

Birmingham Royal Conservatoire​

David WEIGL (University of Music and Performing Arts Vienna)

Creation Of eaRly muSIc CorporA (CORSICA)

Utrecht University

Yossi MAUREY (The Hebrew University Of Jerusalem)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels​

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon

Joshua NEUMANN (Akademie der Wissenschaften und der Literatur | Mainz)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels​

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon

Vicente PARILLA LOPEZ (University of Leuven)

Analysis of the RISM Dataset Within the Realm of Early Music

RISM Digital, Bern​​

Kalina TOMOVA (University of Oxford)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​​

David LEWIS (University of Oxford)

CORSICA (Creation Of eaRly muSIc CorporA)

Utrecht University

Ana CIZMIC GRBIC (University of Zagreb Academy of Music)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​

Angel Manuel OLMOS SAEZ (Real Conservatorio Superior de Música de Madrid - Departamento de Musicología)

Action plan for musicology's response to the European Cloud for Heritage

Université Libre of Brussels

Aleksandra PISTER-GAINIENE (University of Vilnius)

Analysis of musicological education across Europe in institutions of higher education other than universities (conservatoires, academies of music, etc)

Birmingham Royal Conservatoire

Ailin ARJMAND (University of Poitiers)

Enhancing RISM Digital Tools: Cataloguing, Collaboration, and Addressing Gaps in the Database

RISM Digital, Bern​

Eduard LAZORIK (Institute of Musicology of the Slovak Academy of Sciences, Bratislava)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​

Anastasiia MAZURENKO (University of Ljubljana)

Advancements in Early Music Publication: Technological Innovations and Collaborative Strategies

Institución Milá y Fontanals de Investigación en Humanidades (IMF), Barcelona​​

Christoforos PAVLAKIS (Technical University of Crete)

Attending to REMA Annual Conference

Stockholm

Kevin PAGE (University of Oxford)

Exploring Digital Tools and Standards for Music and Art Cataloguing

Institución Milá y Fontanals de Investigación en Humanidades (IMF), Barcelona​

Anna PLAKSIN (Universitaet Paderborn - Detmold)

Creation Of eaRly muSIc CorporA (CORSICA)

Utrecht University

Katarina ŠTER (University of Ljubljana)

Musicologists and Their Sources: The Alchemy of Turning Parchment into Pixels

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon​

STSM 2023

Christophe LEVAUX (Sapienza Università di Roma)

Data analysis workshop - early music landscapes

Centre d’études supérieures de la Renaissance (Tours), France

Ivan CURKOVIC (Academy of Music, Zagreb)

Early music research at the Institute for Historical Musicology in Hamburg: breadth, tradition, innovation

Institut für historische Musikwissenschaft, Universität Hamburg

Vilena VRBANIC (Academy of Music, Zagreb)

Gathering data about Early Music editions and publications in Europe

Institución Milá y Fontanals de Investigación en Humanidades (IMF), Barcelona

Vasco ZARA (Université de Bourgogne)

Musicological Research and Cultural Heritage: Dissemination and Collaboration

Staatlische Institut für Musikforschung Preussischer Kulturbesitz, Berlin

Hui Han LUI (Maynooth University)

Transcending time: Approaching early music as a 21st century pianist

Orpheus Instituut, Ghent

Camilla CAVICCHI (University of Padua)

Musicological Research and Cultural Heritage: Dissemination and Collaboration

Staatlische Institut für Musikforschung Preussischer Kulturbesitz, Berlin

Irene Brigitte PUZZO (Universidade de Coimbra)

Musicology at university of Pavia

University of Pavia, Cremona

Aleksandra PISTER-GAINIENE (Vilnius University)

Data analysis workshop - early music landscapes

Centre for the Study of the Sociology and Aesthetics of Music at NOVA University Lisbon

Tomasz JEZ (University of Wrocław)

Breslau reActivation – organ tablatures online (pilot project)

Staatlisches Institut für Musikforschung Preussicher Kulturbesitz, Berlin / Bayerishe Staatsbibliothek Munchen

Jacek IWASZKO (The Fryderyk Chopin Institute, Warsaw)

Size matters - research on rare sizes of 16th-century partbooks based on RISM digital records

RISM Digital, Bern​

Pedro SILVA (Instituto Politécnico do Porto)

REMA Meeting - RÉSEAU EUROPÉEN DE MUSIQUE ANCIENNE

Pavia

Inês TRINDADE (Universidade Nova de Lisboa)

Cataloguing and preserving Sources

Institute of Musicology of the Slovak Academy of Sciences, Bratislava

Christophe ALVAREZ (Academia de Muzica Gheorghe Dima Cluj-Napoca)

Performance - Historical Piano Summer Academy

Orpheus Instituut, Ghent

Luigi COLLARILE (Schola Cantorum Basiliensis)

Lost Music Editions in Johann Walther’s Musicalisches Lexicon (1732): New Bibliographical and Historiographical Perspectives

University of Vienna

Adam Whittaker (Birmingham City University)

Data analysis workshop - early music landscapes

Centre d’études supérieures de la Renaissance (Tours)